![]() ![]() Still, he remains self-conscious about it. Glass's own salary, while healthy, is relatively modest considering his stature. His discomfiture about earning money extends to himself. "I feel like a hack." Backstage the next night, he was fretting again. "Is it crass that I'm selling the video?" he asked on the eve of the show, sitting on the carpet of an empty corridor at the academy with some of his producers. The Brooklyn event was recorded live and turned into a $5 download on the show's website, but the prospect of relaying this onstage to the audience was making Mr. Yet the act of directly asking for money for his own show sometimes makes Mr. "That's the one X factor hanging over our heads," he said. But he acknowledged that there is a lot of uncertainty. Glass in an interview in his Chelsea office. "We believe we can do more in our underwriting, and we think it was maybe costing us with staying with them," said Mr. Glass describe the split as mutual and amicably reached. Glass and Julia Yager, PRI's spokeswoman, said the prospect of sharing podcast revenues was never broached in the negotiations, the talks ended in deadlock. And he began to think that "This American Life" could do better than with PRI as a distributor. Glass wanted to keep that digital independence, waving off PRI's hunger for involvement. Those sales had far surpassed hopes: $180,000 from last year's surplus helped pay for the Brooklyn show. Glass and his team oversaw the show's apps, podcasts and podcast underwriting. While PRI had handled the radio distribution, Mr. Glass had been questioning the distributor model for some time. ![]() He has even inserted humor and creativity into those deadly on-air pledge drives, with clever spots and the creation of hip public-radio temporary tattoos.īut Mr. ![]() Glass himself has proved kinetic in his own interests, helping to create a comic booklet editing a nonfiction anthology and co-producing a movie ("Sleepwalk With Me"), a Showtime television series (which prompted his move to New York in 2006) and stage shows, several of which became simulcasts beamed to movie theaters. The show has spawned a competitive storytelling industry, both on radio and onstage, with "TED Radio Hour," "Radiolab" and "The Moth" fighting for the same public radio listeners. Glass has initiated repeatedly since creating "This American Life," under another title, nearly 19 years ago. He has another project, too: Members of his team are creating a new podcast called "Serial," available this fall, which will unspool weekly chapters of a long-form investigative radio story.īut disruptive change is something Mr. Glass himself described the move as no big deal: The show will still air on the same stations at its usual time. Read More VidCon: Big brands, teenagers, and YouTube stars collide On July 1, "This American Life" became independent, leaving its distributor of 17 years, Public Radio International, or PRI. Glass, a frenetically busy, insatiably curious public radio star who has repeatedly shown that he cannot be contained by the confines of his chosen medium. It was yet another performative feat for Mr. Glass said froggily the next day, "but it was 100 percent worth it."īy Saturday night, his voice was back to its soft, sinusy self and the audiences, mostly public radio geeks, cheered. Then he was given a steroid shot and sent on his way. Glass snapped photos of all four walls, with close-ups. Despite being in certain quarters rather famous himself, an awed Mr. The office was lined with head shots: Luciano Pavarotti, Celine Dion, Hugh Jackman. So, on the advice of his show's singers, he found himself on the Upper East Side to see a throat doctor to the stars. Personal Loans for 670 Credit Score or Lower Personal Loans for 580 Credit Score or Lower Best Debt Consolidation Loans for Bad Credit ![]()
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